Emma

Forest Festival

What You Need to Know About Nature Play’s Forest Festival

FOREST FESTIVAL RETURNS THESE SCHOOL HOLIDAYS! April 16 – 17 Grab your family and friends, picnic blankets and beanies, Nature Play Forest Festival is returning to Kuitpo Forest these April school holidays. If you are looking for an activity that will get your children outdoors running, jumping, climbing and exploring then don’t miss Forest Festival. It will be nature play activities galore and as much free play as your children can handle in the forest surrounds as well as a great food offering and… coffee.  FREE FAMILY ENTRY FOR MEMBERS // All Nature Play SA family members will be provided FREE ENTRY on their chosen date (provided tickets are still available), however the event will be ticketed and numbers capped each day to ensure families have the best time possible.  ABOUT FOREST FESTIVAL // Nature Play was so thrilled at the turnout at the 2018 event, that they’ve teamed up again with their  wonderful partners – Alexandrina Council, Mount Barker District Council and ForestrySA, to bring you another sensational event in Kuitpo Forest on Tuesday 16 and Wednesday 17 April, from 10:00 am – 3:00 pm.  WHATS ON OFFER // Forest Festival has been specially designed for families with children 0 -12 years old (However, older children are more than welcome!)  ACTIVITIES AND FEATURES THROUGHOUT THE FORREST: Low ropes adventure course through the pines Natural loose parts play Wild cubby building in the Eucalyptus forest Story time + family reading amongst the pines Australian animal-themed family yoga classes with Eternal Yoga & Wellness Orienteering & bushwalking trails ‘Nature hands-on’ with Adelaide and Mount Lofty Ranges NRM Board’s NRM Education program Autumn mask making with Kate Hubmayer Nature potion and tinkering stations Wildlife display and shows with Animals Anonymous Bush Stick Xylophone jam sessions with Tribal Instruments Food truck friends: Forage Supply Co; From The Butlers Pantry; Sunshine Iceblocks; and Sookii La La Street Food. For tickets and more information head to: natureplaysa.org.au Nick Lawrence Photography 

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Disney on Ice is Returning To Adelaide!

Disney on Ice is Returning To Adelaide! Grab your mouse ears and get ready for a worldwide party as Disney On Ice celebrates Mickey and Friends skates into Australia including Adelaide at the Entertainment Centre on the June long weekend, June 7-10. This year, the Aussie family favourite will include the highly anticipated debut of Disney’s fearless Moana as well as exciting never before seen production elements above and off the ice, including a fun new interactive ‘mouse pad’ and live hosts to guide you through the show. The 2019 tour celebrates 90 years of Mickey Mouse and honours Walt Disney’s legacy by bringing acclaimed stories to life on the ice from classics such as Fantasia to modern day favourites including Toy Story, Moana, Frozen and Finding Dory. Produced by Feld Entertainment Inc., Disney On Ice celebrates Mickey and Friends will open at the Adelaide Entertainment Centre on Friday June 9 and continue across the long weekend. This year, Mickey Mouse is joined by Minnie Mouse, Donald Duck and Goofy on a journey to discover his favorite memory of all time. Using Mickey’s “Mouse Pad”, the show’s hosts encourage fans to be part of the action and help the gang venture though Disney stories, sharing memorable moments from treasured tales. Along the way, families sail away with Moana as she displays courage to save her island on a high-seas adventure with the demigod, Maui. Families will continue the journey to the wintry world of Arendelle as royal sisters Anna and Elsa discover true love and experience the mysterious magic of Fantasia as a Sorcerer’s Apprentice makes brooms come to life. Follow the unforgettable Dory through the unexplored seas of the Pacific Ocean, join the Toy Story pals on an exciting adventure and experience the emotional rollercoaster of Inside Out. “Live Your Story” alongside Disney Princesses as they use perseverance, determination and hard work to inspire Mickey and children around the world to share their favourite Disney memories. Tickets start from $33 and go on sale from Tuesday March 19 from Ticketek.com.au/DisneyOnIce.

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PEPPA PIG: FESTIVAL OF FUN – Everyone’s Favourite Pig Family Heads to the BIG Screen This May!

PEPPA PIG: FESTIVAL OF FUN – Everyone’s Favourite Pig Family Heads to the BIG Screen This May! Join the party from May 2, 2019 when everyones beloved preschool series PEPPA PIG returns to Australian cinemas for an all-new big screen adventure to mark the 15-year anniversary of the nation’s favourite little piggy. The hour-long theatrical release gives preschool audiences ten never-before-broadcast episodes featuring a two-part festival special, complete with new characters and locations. Little piggies can look forward to a whole hour of snorts and giggles with songs to sing along to and dances and movements to join in with; making it the perfect cinema outing for pre-schoolers and all the family to enjoy. Each of the ten brand-new episodes will be connected with never-before-seen interactive entertainment featuring little ones singing and playing along with their favourite onscreen characters. The new release is part of eOne’s successful My First Cinema Experience format which offers young children a gentle introduction to the cinema for little ones and features the familiar voice talents of Harley Bird (Peppa Pig), Morwenna Banks (Mummy Pig), Richard Ridings (Daddy Pig), Sarah Ann Kennedy (Miss Rabbit) and John Sparkes (narrator). Get excited for the upcoming festival season with the release of PEPPA PIG: FESTIVAL OF FUN and join Peppa and George in their brand new ‘oink-tastic’ adventures as they dance in the mud at a children’s festival, celebrate Grandpa Pig’s birthday at a restaurant for the first time, and take a trip to the cinema to see Super Potato’s big movie feature. PEPPA PIG: FESTIVAL OF FUN will be released by Universal Pictures International in cinemas nationally from May 2, 2019. au.peppapig.com

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Join The Club

Join The Club The Baby Cino Club (TBCC) was born out of a desire to create an inclusive community for parents, to feel less isolated, more connected and ultimately supported, TBCC is growing weekly as more parents get involved. It’s such a wonderful concept that we are so on board with and FYI they also sell really cute merch to raise money for their monthly events (that team KIDDO are all wearing). We sat down with founder, Hannah Dobson, to find out more. How did the idea for The Baby Cino Club come about? The idea evolved from my CAFHS mothers group of soul sisters; being surrounded by parents who were in the thick of it just like me got me through those first months of parenting. These mums were non judgemental, supportive and we all kept an eye out for each other. I kept meeting mums outside the group who didn’t have what I had and I wanted to make them feel less isolated and more connected. Connection exists via social media, but it’s lacking the core needs for humans; we need a real person, a sense of humour, an understanding soul to remind you that you’re doing a good job. I wanted to replicate what I had but on an all-inclusive level; so here I am giving it my best shot. What is the TBCC and what does it offer? The Baby Cino Club is a non-exclusive social group for mums, dads, grandparents – whoever. We’re a playgroup with deeper ideals and a safe environment for parents to talk and feel supported. A coffee (tea, or babycino) and a zero-judgement space to socialise, because being stuck at home with the kids all day can make you crazy. Parents don’t need endless advice; nurture comes naturally. They need reminded “yes, you’re doing a good job, you’re a good parent”. Pressure needs to be taken off expectations put on parents and I hope TBCC does this. Why is it important for parents to connect? We live in an age where we’re always connected but have never been so disconnected. Humans need other humans. Lonely isn’t a nice feeling, especially for parents, and places to meet other parents are few and far between. By connecting parents they know they’re not alone. Why is it important to embrace the “it takes a village” mentality when it comes to raising children? We all have a role in raising children, it requires more than 1-2 adults to teach them everything. There are so many lessons that are vital in the life of a child- they learn from grandparents, teachers, members of the community, aunts, uncles, babysitters; everyone’s role is vital. What have you loved the most about connecting with like-minded parents? That even though we have all different kinds of people and parenting styles, we support each other. I’ve loved how amazing these parents are, how normal they make me feel and how much I’ve laughed. How can people get involved? Come along and join us, see if you like the club and if it’s something you would like to be a part of! Jervois Street, Plympton at 10am Wednesdays and Thursdays (weather permitting). We sell merch to raise revenue for our monthly events and we love partnering with businesses. Your best advice for new parents?
You’re doing a good job; you know what you’re doing, don’t doubt yourself. thebabycinoclub.com @the_baby_cino_club

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Annabel Cooks: Chicken and Leek Pie

This is an absolute family favourite at my house, I can guarantee that after cooking it once it will be highly requested and on repeat. Serves 6 1 whole Chicken approx 1.8kg OR 1 BBQ chook (don’t add salt if using this!) 30 grams of butter 1 brown onion finely diced 1/4 teaspoon of salt 300gms washed sliced leek (2 small/1 large) 2 -3 garlic cloves 1 cup of salt reduced chicken stock 2 tablespoons of plain flour 1 tablespoon of Dijon mustard 1 loosely packed cup of parsley leaves 1/3 cup Parmesan 300 mls of thickened cream Season chicken with salt and pepper. Drizzle with olive oil. Place in an oven preheated to 190 degrees for 1 hour. (180 if a fan forced oven). Sauté the onion and salt in half of the butter until soft. Add the rest of the butter, the garlic and leek. Sauté for one minute before adding the stock. Pop a lid on and cook on medium for five minutes or until leek is soft. Sprinkle the flour over the leek mixture stirring quickly. This will help thicken the sauce. Add the mustard, cream, parmesan and some pepper. Next, add finely chopped parsley. Once the chicken is cooked (allow to rest for 10 minutes once it’s out of the oven) remove the skin and shred the meat into the leek mix. Pop in a pie tin, top with a sheet of puff pastry and brush with lightly beaten egg. Bake at 200 degrees for 35 minutes or until brown. We all fight over the pastry so I always cook a spare sheet or two on a separate tray to share at the table. The chicken can be roasted in advance and stored in the fridge. If I’m doing roast chook I often roast an extra one to have spare for lunches or a pie like this. Certainly saves time! As an alternative to pastry you can top with mashed potato or sweet potato. For sweet potato mash I pop whole un-peeled ones in the oven at 190/200 degrees for about 1hr20. They steam inside their skins and make a delicious mash. Much less watery than when steamed or boiled. This pie freezes really well so make double and pop one away for a lazy winter day! I often add lightly steamed broccoli to the mixture to bulk up the veggies. Otherwise serve with peas, beans or a green salad. Annabel Bower graduated from the world renowned Ballymaloe Cookery School in Ireland seventeen years ago. Annabel has since worked in events and catering and her present focus is on recipe development and food styling. As a mum of three and a passionate foodie, Annabel spends most of her time in the kitchen! Her favourite people to cook for are friends and family and even though like all children, her kids won’t eat everything she cooks, she is determined to keep trying and happily share a few of her fail-safe, crowd-pleasing recipes with you! @foodbyannabel

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Pete Helliar Brings Frankie Fish to WOMAD

Pete Helliar brings Frankie Fish to WOMAD There’s not much that the loveable funnyman Peter Helliar hasn’t done. As one of Australia’s favourite comedians, as well as TV series creator, director and star, regular co-host of The Project, touring stand-up comic, husband of 17 years and father of three boys… he’s kind of got a lot going on! Lucky for kids and parents everywhere however, he has also managed to squeeze in authoring the hilarious, best-selling Frankie Fish series of books for children in all that spare time he has up his sleeve. We chatted with Pete about what it’s like writing for kids, his upcoming appearance at WOMAD (something he has, in fact, never done before!) and what’s next for Frankie Fish. You’re going to be a guest reader in the KidZone at WOMAD reading from your Frankie Fish books, I imagine you’ve performed to some tough crowds, but is any gig tougher than a bunch of kids? When I began writing the Frankie Fish series and we started talking about writer’s festivals and performing to kids, I didn’t think much of it. My first time actually doing it was the Perth Writer’s Festival and I thought “Oh. Actually… what am I going to talk to them about for an HOUR?” Luckily, my mum had kept a lot of the books I’d written as a kid in grade four and five, so they’ve become my secret weapon and I end up reading some of those books to the kids which is fun. I remember years ago before I was writing books, visiting my son Aidan’s prep class, they had dads coming in to talk about their jobs and I thought “I’m going to be fine, I work in television, that’s pretty exciting” and the kids could not have been more bored! One of the other dads was a policeman and another was a marine biologist, so they were way more exciting than I was. Have you been to WOMAD before? This will be my first time! I’ve been in Adelaide when it’s been on because I’ve done so many Adelaide Fringe Festivals, but I’ve never been to WOMAD, so I’m excited. I basically said yes straight away, it was one of those things; of course I know about WOMAD, I’m often there for it, I don’t really know what to expect but I only hear good things. What has the process been like from seeing the initial Frankie Fish idea come to life, to expanding on that and creating a number of stories in the series? Will there be more coming in future? I was actually writing book five this morning, book four is out in April. There will be a longer wait for book five to hit the shelves with probably a year between them. I wanted to make sure that I was enjoying writing the books and for it not to become too much like a job, because I have enough of those! There could be more. We haven’t quite capped it, I know how the series finishes but I don’t know when it finishes. I think time travel was tougher than I thought it was going to be and I could have made this whole exercise a lot easier for myself but I chose not to. I didn’t want to patronise the kids with something that was too easy. Once I could see the characters, it became easier and there’s definitely more life in these characters so we’ll keep them going for a little while. What was your inspiration behind Frankie Fish; was there a reason behind choosing a time travel theme? I’ve always said that the main two influences were Magic Faraway Tree and Back to the Future. I wanted to create a book about kids, and specifically kids who kind of got to escape to somewhere, so time travel gave me that opportunity. How important was balancing the humour aspect with a good story that kids will sink their teeth into? I concentrate on the story first and foremost, and my style is comedic. Certainly, the story is first, making sure the kids want to turn the pages and read the next chapter. That’s the key. What I usually do is write a few drafts and then I will take the idea to the publishers and they’ll give it back to me to give it one final read through where I just add in as many jokes as I can. So, it’s like a final jokes pass. What’s next? Frankie Fish the movie maybe? Possibly! When the first book came out my son told me he could imagine it as a movie. I wouldn’t mind seeing it as a TV series, with each book being a series. The characters could lend themselves to that. We haven’t made any attempt to reach out to people in regards to that because I have enough on, and I’ve been concentrating on the books and making sure they don’t suffer. But possibly yeah! We could explore that. Top three parenting tips? Just off the top of my head! 1. Involve yourself in as much as you can in their school and their sport. 2. Listen to them, let them talk; don’t talk at them but talk to them. 3. Always remind the tooth fairy, to make sure the tooth fairy definitely comes. You and your kiddos can join Peter Helliar at the WOMAD KidZone for Story Time on Saturday and Sunday, March 9th and 10th. Tickets: womadelaide.com.au – Kids under 12 are FREE

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REVIEW: The Magic Flute

REVIEW: The Magic Flute March 1 – 3, Adelaide Festival Theatre. In The Magic Flute, Australian opera director Barrie Kosky presents a striking interpretation of Wolfgang Amadeus Mozart’s classic opera in collaboration with the German Komische Oper Berlin and live action animation by London’s 1927. With music by our very own Adelaide Symphony Orchestra, it’s an audio-visual extravaganza set to an iconic soundtrack. The show is an eccentric clash of Gatsby-era vaudeville, silent film vibes and 21st century technology—a love story raging with the kind of antiquated gender dynamics you’d expect from an opera written in 1791. The Magic Flute premiered in Vienna just two months before Mozart’s premature death at the age of just 35. The show was an instant hit and has remained a cherished work for audiences globally ever since. Quips about capturing feeble-minded women might make you cringe. You can dismiss some of it as a product of its time, forgive most of it for its enduring value as a piece of classical music history, and laugh at the rest. The set—a simple white wall with revolving panels—is a blank canvas for the live stream animations that are meticulously crafted. The cast interacts with the animation seamlessly, exhibiting outstanding attention to detail and artistry. Papageno plays with a prancing animated cat, while Sorastros holds his deadly dogs at the end of a cord. The stage is at once an enchanted forest, then the stomach of a deranged serpent, and then the whirring steampunk mechanics of the human brain. In the story, we see Prince Tamino lusted over by three attendants of the Queen of the Night as he’s coaxed to save her daughter Pamina from the evil high priest Sarastro. Soon Tamino meets the mischievous, amorous Papageno. We see him fantasising about his future lover with a cast of trippy pink elephants dipping in martini glasses. Later, he’s dashing across the rooftops with Pamina, and then hanging off a brick wall that grows thick with blue and yellow flowers. Tamino is gifted a magic flute, personified as a twinkly tinker-bell, and Papageno a case of magical bells. At various times in the journey, three choirboys depicted as heavenly butterflies float into the scene, offering sage advice to our heroes. While The Magic Flute was originally a singspiel—with both speaking and singing parts—the spoken elements in this show are presented like narrative projections as in silent films. See it for the dazzling animations, charming costumes and dreamy, timeless (if sometimes bizarre) storyline. Or see it simply for the thrill of hearing ‘The Queen of the Night’ sung live (by a giant matriarch-spider, no less). The festival suggests to bring children, but kids under 10 may get restless sitting for 2 hours and 40 minutes (including 20 minute interval). It’s presented in German so any children in tow should be confident readers to follow the English surtitles on screen. View the full Adelaide Festival Program HERE

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The Family Program That Encourages Children to DreamBIG!

The Family Program That Encourages Children to DreamBIG! The full family program for the upcoming DreamBIG Children’s Festival promises days of thoughtful and awe-inspiring entertainment. The fun and thought-provoking lineup features 350 artists and is jam packed with live performances involving song and dance, a boisterous puppy, a giant robot, fireflies, the Gruffalo, drag queens reading stories, silent discos and more. The general public component of the festival runs late May to early June and features 12 shows, including three world premieres and seven Adelaide premieres. There will be 12 exhibitions held at Adelaide Festival Centre and venues across the city and surrounding suburbs. There will be more than 25 free events and activities on offer over the popular Big Family Weekend, on Saturday, May 25 and Sunday, May 26. Thousands of tickets have already been booked since the schools program was released late last year. DreamBIG Children’s Festival Creative Producer Susannah Sweeney expects the general public will be just as enthusiastic: “We put a lot of time and effort into creating a program that not only entertains but enriches lives. “DreamBIG Children’s Festival is filled with fun and thought-provoking shows for all ages. The theme is People Together because for humanity to thrive we need to respect and enjoy our similarities and differences. There are shows for babies and toddlers through to teenagers and beyond.” “Through the arts, DreamBIG exposes children to new, unique and wonderful experiences, encouraging them to be creative, compassionate, clever and curious. It’s much loved by families and schools and we hope to see you there!” “From a world premiere show for babies, to shows tackling complex issues such as bullying and loneliness, we are proud to present this thoughtful, empathetic and entertaining festival.” Established in 1974, each festival reaches an audience of over 100,000 people with an average of 180 or more schools participating across South Australia. Adelaide Festival Centre works in partnership with the Department for Education to deliver DreamBIG. The DreamBIG Opening Event, at Adelaide Oval on May 22, will feature up to 2000 children singing the High School Musical hit “We’re All in this Together” after a reading of children’s book “Alpacas with Maracas,” held in unison with school students across Australia. Part of the National Simultaneous Storytime initiative, the even aims to get one million children reading at once. This will be followed by SA icons Electric Fields who recently came second in Australia’s Eurovision entry competition. The DreamBIG family program also includes: • The Gruffalo Live on Stage – returning to Australia after sell-out seasons in London’s West End and Broadway. For the first time the show will also head to Port Lincoln. • New Owner – Combining puppetry and animation this is a beautiful story of loss and love, seen through a dog’s eyes. • Beep – from the makers of Grug, this locally produced show is about a robot, friendship and finding where you fit. • Robot Song – performing in Adelaide as part of a national tour, this show follows the story of a young girl on the autism spectrum learning to understand the world around her, with the help of a giant robot. • Seashore – a brand new show for babies and toddlers, exclusive to DreamBIG, featuring live music and dance to create a sense of play. • Of All the People in All the World – a free performance installation from the UK, which uses grains of rice to represent human statistics, making us reflect on our place in the world. • Panda’s Home – a beautiful and immersive dance piece from China and Italy where Chinese culture and technology combine, and the audience becomes part of the show. • Same Like Yesterday – an animated visual performance that illustrates the story of a group of Adnyamathanha women sharing their ancestral stories with teenage girls from their community. Adelaide Festival Centre CEO and Artistic Director Douglas Gautier said more than two million children had participated in the festival to date, and it continues to be popular: “Adelaide Festival Centre is immensely proud of this festival. “It’s a wonderful opportunity for children of all ages to foster an appreciation for the arts, and with such a diverse range of shows on offer, there is something for everyone.” More details about the Big Family Weekend will be revealed in April. Full details and ticketing information for both the family and schools programs can be found at dreambigfestival.com.au

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REVIEW: Baba-Yaga

REVIEW: Baba-Yaga Baba-Yaga, in Russian folklore, is a supernatural witch who lives on the edge of a forest. In Windmill Theatre’s new production, she is the riotous, hyper-colour resident of the “Poultry Park Apartments” penthouse. We open on the bleak 1984-esque reception area of Poultry Park. Bold signs enforce a long list of rules set-out by the very vocal body corporate – “No pets, No loud music….etc”. Stationed at the reception desk is the demure and softly spoken concierge, Vaselina. Her serene surrounds are soon interrupted by the persistent rule-breaking of her newest tenant, Madam B. Yaga. Faced with threats of cats and techno, Vaselina must take charge and investigate to restore the serenity of her surrounds. What transpires is a thoroughly enjoyable meeting of two unlikely characters. Elizabeth Hay’s Vaselina is innocent and sweet. The audience wills her on as she fronts up to the raucous, madcap Baba-Yaga. Hay is a pleasure to watch and naturally engaging. We follow Vaselina’s journey as she discovers things about herself she never thought possible. Christine Johnston’s Baba Yaga is perfectly eccentric. She is an all dancing, all singing, all recorder playing powerhouse. The two embark on an adventure where anything goes. In Baba’s words (and one of my favourite lines), “Impossible literally says I’m possible”. Special mention to the physical performances of both Hay and Johnstone. The dance routines (including flossing by both Vaselina and Baba), are perfectly directed & executed for the demographic, resulting in belly laughs from the audience. Beautiful OTT costumes by Selene Cochrane and on point animations by Chris Edser. Baba Yaga is a co-production by Windmill and Scottish company Imaginate presented for the Adelaide Festival. Co-creators are the talented Rosemary Myers (Girl Asleep), Christine Johnston (The Kransky Sisters) and Scottish children’s theatre artist Shona Reppe. Suited for ages 7 – 12 (some more mature themes for younger Kiddos) see it this Festival season! Baba Yaga plays the Queen’s Theatre from February 27 – March 3, March 5-6 as part of the Adelaide Festival adelaidefestival.com.au

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Gamer Girls to Level Up at ASMS

Primary school aged girls will put on their game faces and level up their computer coding skills with a roaming classroom set to visit Adelaide for the first time as part of the Adelaide Fringe Festival. Australian Science and Mathematics School is hosting Code Like A Girl’s roaming classroom where girls aged 6-12 will learn the basics of coding to create their own personalised computer games during two-hour workshops on Saturday 2 and Sunday 3 March, 2019. Up to 80 girls will learn the Scratch coding platform during the fun and highly-interactive workshops. The roaming classroom been designed for maximum visual impact – a pink classroom filled with motivational posters, programmable lamps, neon signs, and colourful chairs, desks and lockers. The workshops are being run with a view to increasing diversity in the technology industry and improving girls’ engagement with STEM (science, technology, engineering, and mathematics). Australia currently needs nearly 100,000 workers to keep up with current demand in the IT industry, which the demand expected to increase to 750,000 workers by 2023. Currently women make up less than one-quarter of the technical IT workforce and studies suggest fewer than 3% of school girls are considering a career in technology. “The ASMS shares our commitment to growing the representation of girls and women in STEM,” said Ally Watson, CEO and co-founder of Code Like A Girl. “When we needed to choose a venue for our Fringe Festival workshops, the school was the perfect place. “Gaming is big business, but playing is only half the fun. Coding platform Scratch is great for beginners but also holds its own against programs used by industry professionals.” Jayne Heath, Principal of the Australian Science and Mathematics School, said the school and social enterprise shared the same values. “We are pleased to be hosting a Fringe Festival event which supports our work to increase the number of girls studying STEM and improve their representation in associated workforces,” she said. “Our school takes a hands-on approach to learning to prepare our Year 10-12 students with the skills necessary for jobs of the future, so it’s great to see this starting with primary school-aged girls.” The two-hour workshops are being run at 10AM and 1PM on Saturday 2 and Sunday 3 March, at Bedford Park-based Australian Science and Mathematics School. Tickets are still available to purchase for $15 each from Adelaide Fringe

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YOUR GUIDE TO ADELAIDE FESTIVAL

ADELAIDE FESTIVAL 1 – 17 March For more than 58 years, Adelaide Festival has been delighting audiences with the very best in artistic excellence from international and local performers, musicians, artists and writers. The 2019 Adelaide Festival will be no exception, with a range of free and ticketed experiences to tickle the fancy of every family member – from theatrical triumphs, jaw-dropping physical theatre, spine-tingling music, to whimsical one-man shows; Adelaide Festival is the perfect way for families to get out and about in Mad March. DON’T MISS ZIZANIE With evocative imagery and enchanting illusion, Australian dance icon Meryl Tankard works with Adelaide’s Restless Dance Theatre to create a whimsical world where a mesmerising tale for all the family unfolds. This exciting new work celebrates the beauty in difference and reminds us of Grayson Perry’s inimitable words that “weeds are just owers in the wrong garden.” 14 – 17 March Space Theatre – Adelaide Festival Centre Tickets available from adelaidefestival.com.au LITTLE PEOPLE BLAAS 2 -10 March Thomas Edmonds Opera Studio – Adelaide Showgrounds FOEHN 13 -17 March Main Theatre – AC Arts BABA YAGA 26 Feb – 6 Mar Queen’s Theatre – Gillies Arcade SYMPHONY FOR OUR WORLD – ELDER PARK OPENING WEEKEND CONCERT 2 March Elder Park BIG PEOPLE CARMEN  8 -10 March Festival Theatre – Adelaide Festival Centre COUNTING AND CRACKING 2 – 9 March Ridley Centre – Adelaide Showgrounds MAHLER CHAMBER ORCHESTRA 8 -10 March Auditorium – Adelaide Town Hall MEGAN WASHINGTON 15 March The Palais – Elder Park OUT OF CHAOS… 27Feb – 6 Mar Scott Theatre – The University of Adelaide WIN WIN A FAMILY PASS TO FOEHN! Armed only with a pun (“foehn” is a warm Mediterranean breeze), some sticky tape, fans and a pile of shopping bags – a single puppeteer/ magician will breathe life into the inanimate. Your jaws and those of your young charges will go slack as the little plastic dancers it, swirl and waltz on the rising currents of air. No strings. No tricks. Just a brilliantly conceived and planned improvisation that to believe… well, you must see! Enter online at HERE Tickets are available via adelaidefestival.com.au @adelaidefestival #AdlFest #AdlWW #ThePalaisAF

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REVIEW: 360 ALLSTARS

REVIEW: 360 ALLSTARS The Moa at Gluttony – Showing until 17 March When a show has ‘allstars’ in the title, you really expect to see the best of the best—and the 360 Allstars does not disappoint. Dubbed an ‘urban circus’ by promoters, the show is a high-energy showcase of all things that spin: bicycles, basketballs, breakdancing and hoops. And every player is a champion in their field, from drumming to dancing to dropping the beat. The 360 Allstars are like seven cool uncles who your kids adore. Funny, fit and ultra-talented, they’re beatboxing, back-flipping guys with buckets of energy and bags of street cred. A dizzying display of BMX tricks by a two-times world-BMX champion is followed by a b-boy dance-off reminiscent of a 64-bit video game battle. You’ll see a freestyle basketballer juggle five balls as he’s egged on by a screaming audience, a moonwalker in a magic spotlight, and a roue cyr hoop artist with the elegance and strength of a ballet dancer. The show is backed by slick hip-hop beats and honey vocals of X-Factor NZ winner Beau Monga, with a virtuoso percussionist keeping it tight. The original live music score—drums, keys and samples—unifies the performance without skipping a beat. Every moment of the 65-minute show is seat-edge-exciting, with just the right amount of humour. It is, absolutely, the coolest family show of the Adelaide Fringe—dazzling, thrilling, and exceptionally good fun. Suitable for all ages, but probably best appreciated by girls and boys aged 5 and up. Warning: may result in air-drumming and BMX acrobatics attempts. ***** Tickets available here 

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National Geographic’s Symphony for Our World FREE Open-Air Concert

National Geographic’s Symphony for Our World FREE Open-Air Concert This weekend to welcome the opening of the Adelaide Festival thousands are expected at Elder Park for a free outdoor film and live music spectacular! Symphony for Our World, commissioned to celebrate National Geographic’s 130th anniversary, has been performed continuously all over the globe since it premiered in San Francisco in April last year. Since its iconic yellow-spined magazines embraced imagery over a century ago, National Geographic has defined the art of nature photography and helped shape our understanding of the earth. Its vaults are vast and now have been artfully plundered to create a spectacular 90 minute film synchronised to a gigantic five movement symphony for live orchestra and chorus. Each movement focuses on an environment – Seas, Shore, Land, Mountains, Sky – and the cumulative power of the breathtaking footage is both humbling and awe-inspiring. The music from Emmy and BAFTA nominated Bleeding Fingers Music (co-founded by Hans Zimmer, Extreme Music CEO Russell Emanuel, Steven Kofsky and SonyATV), the award winning team behind the Blue Planet series, is rich, atmospheric and uplifting; its orchestral power tailored to the magnificence of the natural world it underscores. This live performance featuring Aurora, the Festival Statesmen Chorus and the Adelaide Festival Orchestra conducted by Jessica Gethin will be an unforgettable experience for you and your family, a fitting and celebratory opening to the 2019 Adelaide Festival. For tens of thousands of years we worshipped our planet. For a few hundred we have abused, defiled and exploited it. Yes, this will be a gorgeous night in the park but, in some way too, it’s a reminder of what truly matters and the legacy we leave the children sitting with us. For more information and The Adelaide Festival program visit: adelaidefestival.com.au

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Why Taking Risks is Essential to Build Confidence and Self-Belief

Talk to most adults these days about their early years and they’ll tell you stories about climbing trees, building cubby houses and making mud pies. They weren’t just having fun and playing outside – they were making decisions about taking risks and learning from their mistakes. Fast forward 30 years and rather than spending time outside playing, research reveals the average eight-year-old has already spent one year of their life in front of a digital screen, choosing the indoors over the outdoors. Other research reveals more than 80 per cent of children don’t meet the physical activity guidelines of 60 minutes of exercise a day. We’ve had a chat with Goodstart Early Learning’s General Manager, Pedagogy and Practice, Sue Robb, and she explained that not only is physical activity vital for development, but it also encourages risk taking. “We know that encouraging children to take risks in a safe environment is a good way to build confidence and self-belief,” says Sue. “As an early learning provider, one of our responsibility at Goodstart Early Learning is to ensure that the risks children are exposed to are as safe as they are possible. “For example, children exploring an obstacle trail where all the equipment is well grounded and there is adequate supervision allows the children to take a risk as well as learning to balance,” explained Sue. “When children have strong balance, it helps them with jumping, with riding a bike and learning to surf and ski and many other things that children enjoy and love.” Sue went on to explain that most people and children have a built-in policeman that lets them know their risk appetite. “Many children know when they don’t want to climb any higher or travel further away from their parents. It’s our opportunity to support children to thrive as learners and rounded human beings to take a risk, learn from mistakes and be bold in what you want. “These are all life lessons that will help them as they grow and develop. It builds confidence and a sense of self belief in their own decision making,” says Sue. Tips for encouraging risky play: · Allow your child to learn to ride a scooter or bike on tarmac, on sand or on grass. · Allow them to explore at the park within your sight, allowing safe boundaries to take risks, find their threshold and their tolerance. · Let young children crawl around on different textures such as mud, sand and water to encourage physical development. · Let them smell and taste a variety of textures and foods. As Australia’s largest social enterprise, Goodstart Early Learning is committed to ensuring all children have the learning, development and wellbeing outcomes they need for school and life. This includes having access to physical experiences which will support their development. Head to their website goodstart.org.au or call 1800 222 543 to find your nearest centre and learn more about how you can join one of their happy little communities.

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REVIEW: Mr Snot Bottom’s horrible, terrible, really, really bad, bad show

Mr Snot Bottom’s horrible, terrible, really, really bad, bad show Adelaide Fringe Saturday 16 February – Sunday 17 March 2019 The Factory at The Garden of Unearthly Delights: Rundle Park / Kadlitpina, Cnr East Tce & Rundle Rd The delightfully obnoxious and hilariously distasteful Mr Snot Bottom is back with a brand new (award nominated) horrible, terrible, really, really bad, bad, show; which, despite what the name suggests, is actually really, really fun, fun. Gross-tastic kiddy stand-up comedian, last name Bottom, first name Mr Snot, brings us a show about opening a show, which manages to incorporate all the best elements you’d hope for in kids’ entertainment; slapstick comedy, audience participation, visual gags (pun intended), and a healthy dose of buffoonery about pooing your pants and bum explosions. What I love about kids is that they find the most stupid stuff entertaining (and, given how much I love MAFS; same). As such, Mr Snot Bottom kept his audience, both young and young at heart, snorting, snickering, cringing and cackling, as he performed a show rife with hilarity that also unexpectedly upheld the underlying theme that while being yourself can be pretty scary, it’s also the best thing you can do. After all, “the world’s a big mixture, just like what comes out your bum!” If you and your kids are up for an hour of horrendous humour and uproariously low brow laughs, this putrid production of thoroughly eww-worthy entertainment, is definitely for you! ★★★★ Buy Tickets

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